The symbolism of butterflies is complex and multifaceted, revolving around themes of transformation, hope, joy, freedom, and beauty.
This Lime Wood love spoon is hand cut, carved and finished with oil and wax for a long and stable life. The Butterfly love spoon measures approximately 250mm (9.7/8in) high and 63mm (2.1/2in) wide. Click/Tap an image for a larger view.
Hand engraved initials can be placed on the heart with additional details and a date placed on the back.
The Phoenix is an immortal bird that cyclically regenerates or is otherwise born again.
Associated with the sun, the Phoenix dies in a dramatic show of flames and combustion before obtaining a new life by rising from the ashes of its predecessor. In this context, the Phoenix represents renewal or a major positive turning point in life.
This Lime Wood love spoon is hand cut, carved and finished with sealing oil and waxed for a long and stable life. The spoon measures approximately 250mm (9.7/8in) high and 63mm (2.1/2in) wide.
The heart symbol is often used to represent the centre of emotion, including affection and romantic love. Two hearts entwined represents eternal love between two souls.
Hand engraved initials are often placed on each heart and a date or on the smaller heart. This design can be modified to include a number of small initialed hearts, one for each offspring.
This Lime Wood love spoon is hand cut, carved and finished with oil and waxed for a long and stable life. The spoon measures approximately 250mm (9.7/8in) high and 63mm (2.1/2in) wide.
The Tudor rose (sometimes called the Union rose) is the traditional floral heraldic emblem of England and takes its name and origins from the House of Tudor, which united the House of Lancaster and the House of York.
Flowers depicted on a love spoon represents true love and affection while the celtic knot sybolises togetherness forever. Hand engraved name(s) and date can be placed on the heart free of charge.
This Lime Wood love spoon is hand cut, carved and finished with oil and wax for a long and stable life. The spoon measures approximately 250mm (9.7/8in) high and 63mm (2.1/2in) wide.
The Dragon is a magical legendary creature that appears in the folklore of multiple cultures worldwide. Beliefs about dragons vary considerably through regions, but dragons in Western cultures have often been depicted as winged, horned, and capable of breathing fire.
On this love spoon the dragon symbolises protection and is guarding the two hearts -sybolising lovers- in the bowl of the spoon.
This Lime Wood love spoon is hand cut, carved and finished with sealing oil and waxed for a long and stable life. The spoon measures approximately 250mm (9.7/8in) high and 63mm (2.1/2in) wide.
A stork symbolizes new life, birth, and family, largely due to the widespread European folktale of storks delivering babies, but also represents hope, regrowth, fertility, good fortune, and even peace and long life. In various ancient mythologies, they were seen as symbols of parental devotion, fidelity, and renewal.
A new dawn sun shines on the stork with newborn baby. Initials and date can be hand engraved on the heart at no extra cost and further details placed on the rear.
This Lime Wood love spoon is hand cut, carved and finished with sealing oil and waxed for a long and stable life. The spoon measures approximately 250mm (9.7/8in) high and 63mm (2.1/2in) wide.
With TARDIS Engines now fitted to the 8x6 Workshop Stephen, assisted by his travelling companion Stanley the Clamp, travel back 46 million years in time to the planet Halotix to try to correct the time line of the indigenous Calipersaurus.
Will he succeed or could his plans be thwarted by his nemesis Dr. Steffy?
A short and family friendly Parody inspired by the BBC series Dr Who. A programme that Stephen enjoyed from its begiining in the early 1960's until the early 2010's when the stories became too outlandish and overpowered by CGI and producers ego's.
Click/Tap on the player below to watch the adventure.
I was commissioned by the South Lancashire Amateur Radio Club to make a decorative plaque for a free prize draw they were running at the 2019 Blackpool Rally for radio enthusiasts. I was given a free run with what I made so I thought it would have to be a plate, a Radio 'Ham' Plate!
The winner of the draw was Robert Lynch from the Rochdale and District Amateur Radio Society and it's his call-sign M0NVQ I am to inlay using a black epoxy putty.
Robert became interested in radio in the early 1970s but it wasn't until his retirement in 2012 that he sat all the required exams to gain his full amateur licence..
In the video (below) you can see how I made the 60mm high letter and number templates from 2mm MDF.
My home made pantograph router reduced these by a ratio of 3 to 1 creating 20mm lettering on the workpiece. This amount of reduction helps smooth out any inaccuracies to the point where they are lost in the grain and not noticeable.
After cutting the lettering they are over filled with a black epoxy putty to ensure there are no voids once the putty is cut back to reveal the lettering. The putty is very durable and will withstand a lot of punishment without cosmetic damage should the recipient wish to use the plate for practical purposes.
Click/Tap any image for a larger view
Click/Tap the player below to watch the project video
If you want to find the easiest way to do a job,
give it to a lazy man. I might just be a contender! This is an
experiment to see if I can avoid the laborious task of drilling and
shaping all the holes with a Dremel.
I have had this warped piece of Tulip wood for
some time. I think it's settled down now and unlikely to move any more
so I'm going to use it as a test piece for a project I have in mind. As
it's warped and very slim I'm mounting it with a glue chuck so I can
utilise as much of it's 27mm thickness as I can.
I want the rim to sit a little low of the lip of
the bowl so I take it down a few millimetres. When I have the shape I'm
happy with I remove some of the bulk from the back. And take the rim
down to around 5mm thick with the parting tool all the while eyeballing
the bed rails to help me stay straight. I sand down to 320 grit and to a
fine finish with Yorkshire Grit.
On the scroll saw the spiral blade allows me to
keep the bowl level by tucking my fingers under the rim. Something I
could not do if I had to turn and twist the piece around if I'd used a
straight blade. I cut the holes from the outside edge and work my
way inwards. The spiral blade doubles as a file and I can shape the hole
to my liking and achieve a nice clean line. Once all 125 holes are cut I
sand away all the fuzzes on the underside.
As I don't want the paint to work it's way
through the fibres of the wood and appear where I don't want it, a
liberal coating of sanding sealer is applied on the insides of the
holes. That should do the job. I remove and globs of sealer from the
holes with the airline before moving on to the colour which is Cadmium
Red, an Artists colour which is stable and light fast.
A good couple of coats with spray lacquer makes
the wood and colour sing together. Some Yorkshire grit puts a super
shine on the finish and the job's a good'un.
When a challenge is set you just have to rise to the occasion. A fellow woodworker in the YouTube Universe challenged a group of us to produce a bowl without using the lathe. I could not talk my way out of this task so reverted to one of my other passions. Origami.
Fascinated by the Japanese Kumiko woodworking style I decided to produce a bowl inspired by this discipline when entering Keith Brown's 'Bowl Without a Lathe' challenge. Making this bowl from wood was not an option I was kitted up for in the workshop so I utilised an origami principle developed by Heinz Strobl many years ago.
Paper would not have the properties needed to induce the pressure and stability needed to form and maintain the bowl shape so I opted to use Draughtman's Vellum, a type of PET plastic which is coated to accept graphite or ink on the surface. This material is tough, stable, is not effected by moisture and resists mold for decades when stored in damp, dark and dusty vaults.
The hexagonal structure mimics to a great extend a single layer of carbon atoms which, due to the nature of their atomic bonding, forms an extremely strong material. Graphene for example.
While I did not win the challenge, my video (see below) was noted for its originality.
The sinister Glue Bots are set on ending the
freedom of the wooden wedges. Can Stanley the Clamp save them from a
sticky outcome?
Stanley stars in his first feature that will have
you on the edge of your seat. Certified safe for spouse this woodworking
scenario can be enjoyed by all the family. What will become of the
wooden wedges? Will Stanley succeed?
I do love to weave a story into my video's and was so excited when I had the opportunity and the permission to tell this one.
Eighty eight year old Joan showed me her husbands now empty workshop, unused since his death over 35 years ago. I noticed a small piece of dark dirty hardwood which had been used as a makeshift shelf and asked if I could have it. The product was Terry's bowl, made from the very last piece of timber from her husbands workshop. A Valentine gift from him to his soulmate Joan.
In a couple of weeks it would be the 14th of February so I decided it was time for her long lost love to give her a valentine present, with just a little input from me. The product was Terry's bowl. Made from the very last piece of timber from her husbands workshop for his soulmate Joan.
I had planned a small curvy segmented bowl but there would only be enough timber so I had to plan, measure, cut and turn carefully. I thoroughly enjoyed making this bowl and Joan, now in her nineties, treasures it still.
Many thanks to Joan for allowing me to tell Terry's story and providing the photographs and historical information to make it all happen. Many thanks also to Terry, a skilled carpenter and joiner who I would have loved to have met in person.
Stanley takes the opportunity to post his trilogy of films. Each episode was included in project videos throughout 2017.
Stanley was only going to appear in one of the
build video's but when he started getting fan mail there was no option
but to produce more episodes. Since the making of this trilogy Stanley
has gone on to star in three more longer features of his own.
The video also includes some behind the scenes footage of how Stanley was animated. greatful thanks to my good friend Peter Stevens who helped with some of the live action scenes.
A Guiro hybrid is the subject for this 2017 special edition Christmas
video. I wanted a percussive instrument to accompany other loud
instruments so this version has a pickup so the sound can be amplified
and also processed to produce some amazing effects.
Mahogany and Oak is used throughout and as the resulting instrument is
heavier than the usual guiro's, a comfortable grip handle is fitted to
one end.
This special edition is a thank you to all the viewers, subscribers and
commenters to the 8x6 Workshop Channel. You guys make it all worthwhile.
If the opening sequence seems confusing it's based upon the introductory
trailer for the 13th (female) Doctor in the UK science fiction TV
series Doctor Who.
The pipe tune at the end of the video is called The Highland Cradle
Song, a traditional Celtic Lullaby. The pipes are a set of Scottish
bellows blown smallpipes in the key of A and the set(s) in this video
were made by Richard and Anita Evans, makers of Northumbrian and
Scottish Smallpipes.
Harry Potter ain't got anything to touch this baby!
Walnut, Iroko, Cherry, Oak, Beech and Birch were used in this project all chosen for their magical properties to make this wand a general all rounder for the most popular spells. The Dragon's eye is made from an 18mm glass cabochon and painted on the reverse with various shimmering nail varnishes.
Grateful thanks to Pam Harris at Highland Boxes for agreeing to be part of my stupid humour in the video, I hope it does not damage her reputation too much.
Easy fold-along how to tutorial. These boxes have a square base and can be made with any width to height ratio. Suitable as a presentation box or as a custom sized storage box they have a 1001 uses.
This video demonstrates how to calculate and fold the size of box you desire in two or four colours and is from my companion YouTube channel 'Stephen's Origami Workshop'.
Pen Presentation Box
This rectangular box makes an ideal presentation box for a pen, necklace or any other rectangular item.
It is easily folded from two sheets of A4 or letter size paper cut into a square. This will give the right size for the average pen. You can of course make these rectangular boxes any size.
The instructions in this how to tutorial are clear, concise and set at a comfortable pace to fold along to if you wish. This video presentation is from my companion YouTube channel 'Stephen's Origami Workshop'.
Small Part Storage Boxes
Ideal for Crafting and Card Makers who need to store lots of tiny components.
I use this type of box to organise my electronic components for easy access. It can be made from 160gsm card and sized to combine with the square presentation boxes above so they all fit neatly into drawers wasting very little space.
This box can save you a fortune in shop bought storage solutions. Once you have made a few and got the hang of it you can turn these boxes out in minutes with your eyes closed!
My roof camera rig is great but if I'm filming over my shoulder the
microphone is not always in the best place so I have built a separate
rig for these situations which is quick, efficient and easy to use. The
magnetic mount and scissor action allows me to place it exactly where I
need it. There's also a bonus to this mounting method too!
Even though their heyday was a little before my time, as
a young child, I was always fascinated by the art deco rising sun styles
of the 1940's radio grilles. I can account for meeting
many variations, either when visiting friends or on display in antique
shop windows.
There was just something about the design my young
brain liked. Fast forward well over half a century and it felt I just
had to emulate the style in a segmented bowl design.
Four species of wood were used. Beech for the sky,
Limewood for the sun and sunbeams, Iroko for the ground and segments of
Walnut for the rim. The finished 175mm diameter bowl stands 50mm high
and is finished with an waxed acrylic lacquer buffed to a high sheen.